Advertisement

A Masterpiece You Might Not Want to See: The Ethics of Devastating Cinema

After seeing Michael Haneke’s Amour (2012) a few years ago at the Sydney Film Festival, a mass hugging session ensued on the street outside with my friends who’d also survived it, sitting in various other corners of the State Theatre. We were all tender, brutalised, and somewhat elated by the shared experience of being ripped open. Even if it was too much, we felt that it was worth the trauma.

The rest of this content is only available
to KYD subscribers. Subscribe today »

Reasons to subscribe to Kill Your Darlings:

  • Save up to 25% on RRP
  • Free access to online editions
  • KYD delivered direct to your door four times a year
  • Be first to know about competitions, news, events, workshops and giveaways
  • A whole bunch of warm-fuzzies for supporting independent Australian publishing
Subscribe today »