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	<title>Comments for Kill Your Darlings</title>
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	<link>http://www.killyourdarlingsjournal.com</link>
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	<lastBuildDate>Fri, 03 Feb 2012 08:23:45 +0000</lastBuildDate>
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		<title>Comment on Ethnic diversity on Australian television by Roanna</title>
		<link>http://www.killyourdarlingsjournal.com/2012/01/ethnic-diversity-on-australian-television/comment-page-1/#comment-5227</link>
		<dc:creator>Roanna</dc:creator>
		<pubDate>Fri, 03 Feb 2012 08:23:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.killyourdarlingsjournal.com/?p=4802#comment-5227</guid>
		<description>Fantastic article Sukhmani, thank you for your analysis, and for your call for better representation of the real Australia on our screens.</description>
		<content:encoded><![CDATA[<p>Fantastic article Sukhmani, thank you for your analysis, and for your call for better representation of the real Australia on our screens.</p>
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		<title>Comment on The Good, the Bad and the Ugly: Awaiting the Second Novel by Ben Walter</title>
		<link>http://www.killyourdarlingsjournal.com/2011/04/the-good-the-bad-and-the-ugly-awaiting-the-second-novel/comment-page-1/#comment-5213</link>
		<dc:creator>Ben Walter</dc:creator>
		<pubDate>Wed, 01 Feb 2012 05:09:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.killyourdarlingsjournal.com/?p=2323#comment-5213</guid>
		<description>Gosh, stumbled across this again and saw a very old question that I&#039;m very late replying to.

I&#039;m guided by the same things as other bibliophiles, really - immediate interest, the history of literature, the web of literary connections, recommendations and sometimes, a pretty jacket. I&#039;ll give some things a go if I consider they fall within a kind of purview - say, new Australian novelists.

I get very fussy about the general mass. If it hasn&#039;t grabbed me in the first few pages, it goes back on the shelf. I&#039;m sure I miss some good stuff this way, but what can you do? And you can usually tell if someone uses language in an interesting way pretty early...</description>
		<content:encoded><![CDATA[<p>Gosh, stumbled across this again and saw a very old question that I&#8217;m very late replying to.</p>
<p>I&#8217;m guided by the same things as other bibliophiles, really &#8211; immediate interest, the history of literature, the web of literary connections, recommendations and sometimes, a pretty jacket. I&#8217;ll give some things a go if I consider they fall within a kind of purview &#8211; say, new Australian novelists.</p>
<p>I get very fussy about the general mass. If it hasn&#8217;t grabbed me in the first few pages, it goes back on the shelf. I&#8217;m sure I miss some good stuff this way, but what can you do? And you can usually tell if someone uses language in an interesting way pretty early&#8230;</p>
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		<title>Comment on A Fussy Filmgoer speaks out: cinema’s mixed pleasures by Jamie</title>
		<link>http://www.killyourdarlingsjournal.com/2012/01/a-fussy-filmgoer-speaks-out-cinemas-mixed-pleasures/comment-page-1/#comment-5210</link>
		<dc:creator>Jamie</dc:creator>
		<pubDate>Tue, 31 Jan 2012 09:03:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.killyourdarlingsjournal.com/?p=5223#comment-5210</guid>
		<description>Perhaps there are two sub-groups of the &quot;Pathologically Fussy Filmgoer&quot;?  The first being the &quot;Polite Pathologically Fussy Filmgoer&quot; who has mastered the silent but intimidatory, steely glare of a Focker-esque De Niro and the second being the equally popular but more vocal, all singing all dancing Tony Barber model who does not hold back on the &quot;SHHHHHHHHH...&quot; decibels.</description>
		<content:encoded><![CDATA[<p>Perhaps there are two sub-groups of the &#8220;Pathologically Fussy Filmgoer&#8221;?  The first being the &#8220;Polite Pathologically Fussy Filmgoer&#8221; who has mastered the silent but intimidatory, steely glare of a Focker-esque De Niro and the second being the equally popular but more vocal, all singing all dancing Tony Barber model who does not hold back on the &#8220;SHHHHHHHHH&#8230;&#8221; decibels.</p>
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		<title>Comment on A Fussy Filmgoer speaks out: cinema’s mixed pleasures by Tommy</title>
		<link>http://www.killyourdarlingsjournal.com/2012/01/a-fussy-filmgoer-speaks-out-cinemas-mixed-pleasures/comment-page-1/#comment-5207</link>
		<dc:creator>Tommy</dc:creator>
		<pubDate>Tue, 31 Jan 2012 03:26:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.killyourdarlingsjournal.com/?p=5223#comment-5207</guid>
		<description>At $19 a pop, who&#039;d want to go to the cinema anyway!? It&#039;s crazy how much they charge these days. It&#039;s just about cheaper to buy the DVD.</description>
		<content:encoded><![CDATA[<p>At $19 a pop, who&#8217;d want to go to the cinema anyway!? It&#8217;s crazy how much they charge these days. It&#8217;s just about cheaper to buy the DVD.</p>
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		<title>Comment on A Fussy Filmgoer speaks out: cinema’s mixed pleasures by Claire Corbett</title>
		<link>http://www.killyourdarlingsjournal.com/2012/01/a-fussy-filmgoer-speaks-out-cinemas-mixed-pleasures/comment-page-1/#comment-5206</link>
		<dc:creator>Claire Corbett</dc:creator>
		<pubDate>Tue, 31 Jan 2012 01:05:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.killyourdarlingsjournal.com/?p=5223#comment-5206</guid>
		<description>Hmm, interesting. I&#039;ve been a die-hard cinema-goer for many years, including blissful weeks spent in the dark at the Sydney Film Festival. However, that love is fading due to a combination of increasingly bad behaviour such as that described above plus our new tv. The new tv delivers stunning picture quality and when hooked up to our speakers...well, the experience is better than going to the cinema when you take cost and the endless noise into account.

I get the ritual aspect of sitting in the dark with strangers but am over it now. People just eat too much! There used to be an unspoken allowance that you rustled and slurped and chewed for the trailers, credits and maybe first ten minutes or so of the film. Then we were allowed to concentrate. But no more. Now it doesn&#039;t stop. No wonder I see families at the cinema where every member is massively obese - the amount of food they get through in 90 minutes is terrifying. 

The concept of mealtimes seems old-fashioned. Some people seem never to actually stop eating if an hour or two at the cinema is too long to go without food.</description>
		<content:encoded><![CDATA[<p>Hmm, interesting. I&#8217;ve been a die-hard cinema-goer for many years, including blissful weeks spent in the dark at the Sydney Film Festival. However, that love is fading due to a combination of increasingly bad behaviour such as that described above plus our new tv. The new tv delivers stunning picture quality and when hooked up to our speakers&#8230;well, the experience is better than going to the cinema when you take cost and the endless noise into account.</p>
<p>I get the ritual aspect of sitting in the dark with strangers but am over it now. People just eat too much! There used to be an unspoken allowance that you rustled and slurped and chewed for the trailers, credits and maybe first ten minutes or so of the film. Then we were allowed to concentrate. But no more. Now it doesn&#8217;t stop. No wonder I see families at the cinema where every member is massively obese &#8211; the amount of food they get through in 90 minutes is terrifying. </p>
<p>The concept of mealtimes seems old-fashioned. Some people seem never to actually stop eating if an hour or two at the cinema is too long to go without food.</p>
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		<title>Comment on The stories that numbers tell: Jane Gleeson-White&#8217;s Double Entry by Jane GW</title>
		<link>http://www.killyourdarlingsjournal.com/2012/01/the-stories-that-numbers-tell-jane-gleeson-whites-double-entry/comment-page-1/#comment-5195</link>
		<dc:creator>Jane GW</dc:creator>
		<pubDate>Sun, 29 Jan 2012 00:32:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.killyourdarlingsjournal.com/?p=4856#comment-5195</guid>
		<description>Thanks for letting me know SA Jones - yes, Mary, my father did work at O&amp;M in the 1950s. I&#039;ll let him know about your comment too. Amazing. cheers, Jane</description>
		<content:encoded><![CDATA[<p>Thanks for letting me know SA Jones &#8211; yes, Mary, my father did work at O&amp;M in the 1950s. I&#8217;ll let him know about your comment too. Amazing. cheers, Jane</p>
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		<title>Comment on The stories that numbers tell: Jane Gleeson-White&#8217;s Double Entry by S.A. Jones</title>
		<link>http://www.killyourdarlingsjournal.com/2012/01/the-stories-that-numbers-tell-jane-gleeson-whites-double-entry/comment-page-1/#comment-5190</link>
		<dc:creator>S.A. Jones</dc:creator>
		<pubDate>Sat, 28 Jan 2012 02:39:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.killyourdarlingsjournal.com/?p=4856#comment-5190</guid>
		<description>Mary - I&#039;ll bring your comment to Jane&#039;s attention. Cheers.</description>
		<content:encoded><![CDATA[<p>Mary &#8211; I&#8217;ll bring your comment to Jane&#8217;s attention. Cheers.</p>
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		<title>Comment on The stories that numbers tell: Jane Gleeson-White&#8217;s Double Entry by Mary Bosman</title>
		<link>http://www.killyourdarlingsjournal.com/2012/01/the-stories-that-numbers-tell-jane-gleeson-whites-double-entry/comment-page-1/#comment-5189</link>
		<dc:creator>Mary Bosman</dc:creator>
		<pubDate>Fri, 27 Jan 2012 09:42:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.killyourdarlingsjournal.com/?p=4856#comment-5189</guid>
		<description>my husband is reading Jane&#039;s book I wanted to comment in that Jane dedicates her book to her father Michael whom I think I worked with as a very young woman at Charles A Ord &amp; Minnett in Hunter Street Sydney 1957. If I&#039;m correct can Jane please comment? TIA</description>
		<content:encoded><![CDATA[<p>my husband is reading Jane&#8217;s book I wanted to comment in that Jane dedicates her book to her father Michael whom I think I worked with as a very young woman at Charles A Ord &amp; Minnett in Hunter Street Sydney 1957. If I&#8217;m correct can Jane please comment? TIA</p>
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		<title>Comment on &#8216;They have a right to do anything we can&#8217;t stop them from doing&#8217;: Catch-22 by Claire Corbett</title>
		<link>http://www.killyourdarlingsjournal.com/2012/01/they-have-a-right-to-do-anything-we-cant-stop-them-from-doing-catch-22/comment-page-1/#comment-5180</link>
		<dc:creator>Claire Corbett</dc:creator>
		<pubDate>Mon, 23 Jan 2012 21:06:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.killyourdarlingsjournal.com/?p=4846#comment-5180</guid>
		<description>What a fascinating comment, thank you. You make me want to read &#039;Shah of Shahs&#039; - I&#039;ve only read his book on Africa, The Shadow of the Sun.</description>
		<content:encoded><![CDATA[<p>What a fascinating comment, thank you. You make me want to read &#8216;Shah of Shahs&#8217; &#8211; I&#8217;ve only read his book on Africa, The Shadow of the Sun.</p>
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		<title>Comment on &#8216;They have a right to do anything we can&#8217;t stop them from doing&#8217;: Catch-22 by Helen</title>
		<link>http://www.killyourdarlingsjournal.com/2012/01/they-have-a-right-to-do-anything-we-cant-stop-them-from-doing-catch-22/comment-page-1/#comment-5179</link>
		<dc:creator>Helen</dc:creator>
		<pubDate>Mon, 23 Jan 2012 10:16:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.killyourdarlingsjournal.com/?p=4846#comment-5179</guid>
		<description>Your reflections on language, logic and violence remind me of Ryszard Kapuscinski writing in &#039;Shah of Shahs&#039; about Iran after the revolution. Words to be avoided in any public conversation, for fear of arrest,  included boot, screw, flabby, darkness, chain, cage, wallow and fall on your face. The accuracy of his list is irrelevant but his point is still spot on. Fear is living with a laughable logic that can at any moment wield brutal force.</description>
		<content:encoded><![CDATA[<p>Your reflections on language, logic and violence remind me of Ryszard Kapuscinski writing in &#8216;Shah of Shahs&#8217; about Iran after the revolution. Words to be avoided in any public conversation, for fear of arrest,  included boot, screw, flabby, darkness, chain, cage, wallow and fall on your face. The accuracy of his list is irrelevant but his point is still spot on. Fear is living with a laughable logic that can at any moment wield brutal force.</p>
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