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Category Archives: Film


Can too many parts destroy an adaptation? The Hunger Games: Mockingjay – Part 1

It’s a relief to feel the weight of fidelity lift off an adaptation film, as Mockingjay: Part 1 becomes a meta-exploration of fame, franchise and future. Read more »

Monsters in Los Angeles: Maps to the Stars and Nightcrawler

Both Maps to the Stars and Nightcrawler are peopled by monsters who may look human, but are actually spiritually deformed and morally repugnant creatures of the most loathsome kind. The suggestion implicit in each of these thrillingly creepy stories is that these ‘freaks’ are born out of and adapted to the hellish spiritual landscape of LA. Read more »

A matter of time: very long films

It’s a fatal moment for any film lover: that instant when you look away from the screen and check your watch, holding it up to the light to judge how much time is left before you can escape. A wince of pain as you realise there are still 40 minutes to go. Read more »

Whiplash: bloody fingers and broken drumsticks

Whiplash is one of the year’s most exciting and electrically charged films. Admittedly, that’s a large claim to make for a little movie about a New York music student, his abrasive teacher, and a whole lot of banging and yelling in band practice. Read more »

Marital Crises: Gone Girl and Force Majeure

You can share your body, your bed, your bank account, and even your toothbrush, with another human being. But each mind contains a private world that can never be fully understood or examined, let alone shared with another. Read more »

Suicide, Laughter and The Skeleton Twins

Even the best parents can inflict some form of lifelong damage upon their children. But when parents are outright mad, bad or dangerous – or in the case of the funny, bittersweet comic drama The Skeleton Twins, so depressed they commit suicide – the damage can feel impossible to bear, even decades down the track. Read more »

Let’s Dance: unapologetic repetition and Step Up: All In

A franchise of movies based entirely around good-looking people performing unlikely and oddly aggressive dance moves wouldn’t seem to require heavy continuity – or any continuity at all – but Step Up: All In is surprisingly effective. Read more »

On Boyhood, parenting and the passing of time

Since its premiere in January at the Sundance Film Festival, film critics have been falling over themselves to lavish love upon Richard Linklater’s Boyhood. Read more »

Lucky Dip Diving: an approach to film festivals

I wanted to let go of the grasping desire to watch everything and be part of every conversation. But with the Melbourne International Film Festival in full swing, anxieties arise again. Read more »

Joe Swanberg’s Real Women

In Happy Christmas, the female characters are a pleasure to watch, largely because they’re so familiar in life and so rarely depicted on screen. Read more »