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Category Archives: Film


All About His Mother: Xavier Dolan’s fierce women

Xavier Dolan has created an exuberant body of cinema that privileges women (and others on the margins) as complex, chaotic beings. Dolan’s fierce mothers are cleaved from the pedestal that so much of cinema places them on, so that they may dig around in the dirt that is life. Read more »

Being Boring: Passing time with the films of Michael Winterbottom

What does it mean to film the same performers over the course of years, to have them age in front of the camera? Everyday pays careful attention to boredom, and at moments it manages to capture a sense of time that is both elusive and profound. Read more »

Don’t be Sheepish: Why Ewe Should See Shaun the Sheep Movie

Shaun the Sheep Movie is the latest feature-length production from Aardman Animations (the folk who brought us Chicken Run), and it is a delight. Borrow a young relative for cover if you must, but believe me, you are not too cool for a kid’s movie when it’s this much fun. Read more »

The blue pill or the red pill? In defence of highbrow film

Cinema is a powerful medium. Going to the movies, be it a Lav Diaz epic or a Michael Bay blockbuster, is an act of submission. You hand over $15 and the whole mash of your brain/senses/heart/dreams for ninety minutes. Read more »

Bad Cities

A Most Violent Year has an atmosphere of all-pervading dread, like a film noir, as if the polluted air of New York itself was causing people to act against their better intentions. Even more haunting and more noir is A Girl Walks Home Alone At Night, a memorably audacious debut feature from American-Iranian director Ana Lily Amirpour. Read more »

On the Trail: Wild and the voyage of the modern woman

Strayed articulates the question that drives so many pilgrimage narratives: ‘What if I forgive myself?’ That same question perhaps suggests why female-driven journeys are resonating with audiences now: self-reliance and the abandonment of a conventional life have long been male-dominated themes. Read more »

An Urgent and Motivating Anger: The politics of Selma

How to approach a figure with the reputation of a secular saint? One achievement of Selma – and it is a film of many achievements – is to reanimate King as a living, breathing man; a man of politics, strategy, and absolute, underlying resolve. Read more »

Best of 2014 (Part Two): Film, Music, YA Literature, Pop Culture

In the second of a two-part series, our brilliant Killings contributors highlight their top cultural moments of 2014 – in film, music, young adult literature, and pop culture. Read more »

Problems with God: Exodus: Gods & Kings

This is the thing about retellings of old and beloved foundation stories: it’s impossible to come to them fresh, without trying to compare and contrast with previous versions for veracity and style. It’s usually the modern incarnation that comes up short. Read more »

Can too many parts destroy an adaptation? The Hunger Games: Mockingjay – Part 1

It’s a relief to feel the weight of fidelity lift off an adaptation film, as Mockingjay: Part 1 becomes a meta-exploration of fame, franchise and future. Read more »