Advertisement

KILLINGS, daily columns and blog —

The Art of Influence: On writing The Flywheel

My book for young adults, The Flywheel, was published last month. It is the first book I’ve published, and it took me a fair amount of time spent alone in a quiet room to write. Read more »

The Necessary Paradoxes of Patricia Highsmith

A highly regarded author of complex psychological thrillers, including The Talented Mr Ripley and Strangers on a Train, Patricia Highsmith’s fiction comes freighted with a heady mix of cross-purposes and intimate alienations. Read more »

We All Want To Be Loved: An interview with Sofija Stefanovic

As our daily lives migrate into online spaces, there is still one experience popular wisdom would have us believe cannot be replicated in digital form – love. It’s tempting to believe in the sanctity of IRL chemistry, but as online dating services proliferate, the line becomes increasingly blurred. Read more »

Changes to the KYD team

Kill Your Darlings is thrilled to welcome two killer new additions to our small, passionate team. Read more »

Rise of an Empire

Watching Empire, I wondered why there haven’t been more television shows about record labels, the music industry being the cesspit of venality that it is. Forget TV dramas about police departments and hospital wards – a show about a record label comes with all that conflict, plus outfits, plus songs. Read more »

The blue pill or the red pill? In defence of highbrow film

Cinema is a powerful medium. Going to the movies, be it a Lav Diaz epic or a Michael Bay blockbuster, is an act of submission. You hand over $15 and the whole mash of your brain/senses/heart/dreams for ninety minutes. Read more »

Fringe Feminism: Women, comedy and performance art

Taken together, the work of these female comics and performers loudly proclaims that their ideas about gender, femininity, performance and comedy are not diametrically opposed. It is because of their performance backgrounds that their shows are hilarious, not in spite of them. Read more »

Storytelling vs. interactivity: What makes a highbrow game?

What makes a game ‘highbrow’? We don’t have solid criteria for deciding conclusively which games are masterpieces, and which are just dumb, explosive fun. Read more »

A Murky Business: On being a writer

At what point does writing become a job? Because of the immeasurable and subjective nature of writing – of being a writer – the goal posts are forever shifting. Read more »

Breaking the Celluloid Ceiling

We are still at a point where far less than half the movies we see have a clear female protagonist, even though women are half of the population. If women as an ENTITY are not properly represented, their stories not told, what chance then do women of colour have? Read more »