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KILLINGS, daily columns and blog —

Literal metaphors: Augie March’s Havens Dumb

Havens Dumb, Augie March’s first studio album in six years, opens with an uncharacteristically forthright song about the anxieties of fatherhood. Over a fifteen-year career, lead singer-songwriter Glenn Richards has developed a distinctive lyrical style grounded in visual evocation. Biography rarely seeps through, and when it does, … Read more »

An obligation to be kind? Australian TV critics and The Code

When Margaret Pomeranz recently spoke out about the obligation of local film critics to support the Australian film industry, she generated an interesting conversation in the critical community. Are critics who discuss the small screen in the public sphere obligated to be critically kind in their local coverage? Read more »

Crafted nostalgia: The romanticisation of a hand-made economy

The increasing popularity of artisanal goods is borne out of a direct opposition to today’s globalised mass production, which is believed to not only promote shoddy design, but also lead to dehumanising sweatshop labour. Read more »

These kinds of girls: The feminist essays of Roxane Gay and Lena Dunham

A galvanising moment is occurring now in popular gender politics and contemporary cultural texts. But unlike the 1990s wave of feminism, which heavily criticised mainstream representations of women in film and television, these new literary works not only accept these representations, but actively generate them. Read more »

Patrons and gamemakers in the shadow of Gamergate

There is a lot to unpack about Gamergate, and a great deal more that isn’t at all worth taking seriously, but what the patronage pseudo-controversy has drawn attention to is the fact that there are potentially huge issues with moving to a model of monetary transactions in which our payments are increasingly networked and ‘social’. Read more »

The not-so-universal language of mankind

Music is, demonstrably, not the universal language of mankind: if that were the case I could make myself understood in Paris’s cafés and boulangeries by carrying around an iPod full of songs titled ‘A Coffee, Please’ or ‘A Baguette With Duck Rillettes To Go, Thanks’. Read more »

Whiplash: bloody fingers and broken drumsticks

Whiplash is one of the year’s most exciting and electrically charged films. Admittedly, that’s a large claim to make for a little movie about a New York music student, his abrasive teacher, and a whole lot of banging and yelling in band practice. Read more »

Nepotism, bullying and stalking: When online reviews go bad

The tangible power author Kathleen Hale wields, evinced by her numerous connections and Guardian platform, enabled her continued harassment of her book’s 1-star reviewer. The vocal support and defence put forward by Hale’s influential friends and family appears to be a case of privilege feeding narcissism. Read more »

Charmless lives: Helen Garner’s This House of Grief and Erik Jensen’s Acute Misfortune

How do narrative non-fiction writers who dare to dissect the darker aspects of humanity keep their readers engaged, rather than simply horrified? Read more »

Jerks, antiheroes and failed adulthood in You’re The Worst and BoJack Horseman

In addition to both being really funny, two new US comedies – You’re The Worst and BoJack Horseman – speak to a widely-held fear about what, exactly, constitutes ‘adulthood’. Read more »