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KILLINGS, daily columns and blog —

Author Archives: Chad Parkhill


The carnival is over

Jabberwocky, scheduled to take place last weekend, was the kind of festival that wasn’t supposed to fail. Read more »

Why has Robin Thicke’s Paula flopped?

What, exactly, has caused Paula to sell so poorly that it has already positioned itself as this year’s most memorable flop? Read more »

Queering the Power: The Soft Pink Truth’s Why Do the Heathen Rage?

The Soft Pink Truth’s new album ‘Why Do the Heathen Rage’ demonstrates that despite their superficial differences, dance music and black metal have a lot in common. Read more »

Never Settled: The Knife’s Shaken-Up Versions

Making live electronic music engaging is a difficult task, and The Knife’s Silent Shout tour shows a band committed to breaking the visual cliché of performers standing still behind banks of electronic equipment. Read more »

Loving (and hating) Tori Amos

Tori Amos is hardly to blame for the existence of her fans’ expectations, nor for their disappointment when her work does not live up to them – but that doesn’t prevent that disappointment from feeling intensely personal. Read more »

Still climbing the ladder to God: Swans’ To Be Kind

No band is quite as intense as Swans – a feat made all the more remarkable by the fact that its leader, chief songwriter, and sole constant member, Michael Gira, turned sixty this year, and that the band had been on a decade-long hiatus before reforming in 2010. Read more »

The critic as parasite

It’s an interesting time to be a music critic. So far 2014 has been marked by an assortment of micro-scandals about the way that music criticism is written, from both inside and outside the profession. Read more »

Radical honesty: EMA’s The Future’s Void

Erica M. Anderson’s recently released second solo album, The Future’s Void, has been for the most part well-received by critics – albeit with some caveats. Read more »

Do music critics need music theory?

Canadian musician Owen Pallett – the man who arranged the strings on Arcade Fire’s albums, co-wrote the soundtrack for Spike Jonze’s Her, and has a bunch of wonderful solo albums – can now add another feather to his cap: that of an engaging music writer. Read more »

Drips, leaks, and spurts

I’ve spent the last two weeks in a state of perpetual excitement – musically speaking, that is. First came tUnE-yArDs’ new song, ‘Water Fountain’, a joyous, riotous explosion of colour and movement. Then Swans released ‘A Little God in My Hands’, a seven-minute epic of a track … Read more »