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Author Archives: Chad Parkhill


Best of 2014 (Part Two): Film, Music, YA Literature, Pop Culture

In the second of a two-part series, our brilliant Killings contributors highlight their top cultural moments of 2014 – in film, music, young adult literature, and pop culture. Read more »

Against the Album of the Year

We won’t see an end to end-of-year album and song lists any time soon – it’s hard enough for sites and publications to turn a buck without scorning one of the easiest means of acquiring sales and page views. Read more »

Mo money mo problems: The value of music in the age of streaming

While music streaming services have existed for a few years now – practically aeons in internet time – it is only recently that their impact on patterns of musical consumption and on musicians’ and labels’ revenues has truly begun to be felt. Read more »

Who killed Amanda Palmer fandom?

Fans and consumers tend to avoid music made by people whose actions disagree with their moral compasses, and, conversely, to reward those whose actions align with them. But are they right to do so? Read more »

The not-so-universal language of mankind

Music is, demonstrably, not the universal language of mankind: if that were the case I could make myself understood in Paris’s cafés and boulangeries by carrying around an iPod full of songs titled ‘A Coffee, Please’ or ‘A Baguette With Duck Rillettes To Go, Thanks’. Read more »

The music of exhaustion

The War on Drugs new album Lost in the Dream is the startling sound of exhaustion – both a personal exhaustion and a broader cultural exhaustion – transformed into art that is thrillingly and paradoxically vital. Read more »

The Perpetual Undeath of Rock

‘Hey hey, my my, rock and roll can never die.’ Depending on your own tastes and cognitive biases, Neil Young’s famous lyric will now seem more prophetic than ever before – or profoundly misguided. Read more »

Calling out of context: The perennial appeal of Arthur Russell

When Arthur Russell died in 1992 at the age of forty, he did so in relative obscurity, having released four commercially unsuccessful albums and granted a single print interview: not exactly a promising oeuvre on which to build a legacy. Read more »

The carnival is over

Jabberwocky, scheduled to take place last weekend, was the kind of festival that wasn’t supposed to fail. Read more »

Why has Robin Thicke’s Paula flopped?

What, exactly, has caused Paula to sell so poorly that it has already positioned itself as this year’s most memorable flop? Read more »