Advertisement

KILLINGS, daily columns and blog —

Events, News

KYD at the Emerging Writers’ Festival

by Kill Your Darlings , May 16, 2014Leave a comment

ewf2014The 2014 Emerging Writers’ Festival runs from 27 May to 6 June. The Kill Your Darlings team will be popping up all over the place during the festival, appearing at panels, events and workshops. You can also catch many of our brilliant 2014 Killings columnists discussing their work. With a massive line-up of artists and events, the tricky part is working out how to see as much as possible. With just under a fortnight left until the festival kicks off, here are the best places to find KYD during EWF.

Kill Your Darlings: Highbrow vs Lowbrow
If you only catch one event at the Emerging Writers’ Festival, make it this one. Join the KYD team to celebrate the books, TV shows and music we love, binge on and obsess over. Our favourite writers will defend their passion for culture, whether it be posh or trashtacular in nature. With trivia and prizes.

Wednesday 28 May, 9pm – late
Thousand Pound Bend
361 Little Lonsdale St
FREE

Hannah Kent, Publishing Director:
Hannah is one of five EWF Festival Ambassadors, and will be at the two-day Writers’ Conference 31 May – 1 June. She’ll also appear at the special event The 5 x 5 Rules of Writing, sharing the advice she wishes she’d had when she was starting out.

Rebecca Starford, Publishing Director:
Rebecca will share the joys, successes and inspiration that come from being part of a Real Live Writers’ Group.

Brigid Mullane, Editor:
Young aspiring writers can catch Brigid at the Signal Writing Intensive for Under 25s, a day of workshops aimed at writers at the very beginning of their career. 

Emily Laidlaw, Online Editor:
Emily will be on the Digital Directions panel at the Emerging Editors industry day, discussing the particularities and demands of editing for online publication along with representatives from The Thousands and Junkee. 

Bethanie Blanchard, Interviews Editor:
Beth will lead a discussion of the working relationship between Foreign Soil author Maxine Beneba Clarke and her editor at Hachette Australia, Robert Watkins, in When Writer Met Editor as part of the Writers’ Conference.

Carody Culver, Books Columnist:
Carody will be appearing at Emerging Editors, on the panel Going the Distance: Book Editing and Building a Career.

Julia Tulloh Harper, Pop Culture Columnist:
As per usual, Julia will be defending the merits and pleasures of pop culture on the Pop Topics panel, as part of the Writers’ Conference.

Connor Tomas O’Brien, Technology Columnist:
Connor hosts the day-long Digital Writers’ Masterclass, exploring the brave new world of writing and technology from all angles.

Chad Parkhill, Music Columnist:
Chad will appear at The Lifted Brow’s Mixtape Memoirs event, sharing a memoir inspired by the soundtrack to his teenage romance. 

Rochelle Siemienowicz, Film Columnist:
Rochelle will be spruiking the joys of the film reviewer’s life at From Screen to Screen as part of the Screenwriting Masterclass. She’ll also share her experiences as a member of The Real Live Writers’ Group, along with Rebecca Starford.

Stephanie Van Schilt, TV Columnist:
Steph will be part of the panel for Live in the Studio: Exploring the ABC, defending the national broadcaster’s appeal and relevance from its inception to the present day.

Guy Shield, Cover Artist:
If readers want to judge Kill Your Darlings by our cover, that’s fine with us – thanks to the work of the inordinately talented Guy Shield. Guy will share his tips for book cover design at The Look of the Book.

 

See you at the festival!




loitering-cover-cmyk-570

Sam van Zweden

The Writer at the Centre of the Essay: Charles D’Ambrosio’s Loitering

Loitering is Charles D’Ambrosio’s quietly brave collection of experimental essays. It doesn’t announce itself noisily, but associations slide sideways through the essays in unexpected ways. This collection is lyric in both senses – freely associative and loose, it borrows from the world, trying meaning on for size, producing metaphors and connections wherever it sees fit. Read more »

discworld

Elizabeth Flux

Footnote to a life: How Terry Pratchett kept me from going postal

If imitation truly is the sincerest form of flattery, then teenage me would have been the steamroller to Terry Pratchett’s somewhat plagiarised tarmac. In the ten years since I first picked up The Fifth Elephant, my work has been littered with Pratchettisms to varying degrees. Read more »

Patricia-Highsmith2

James Tierney

The Necessary Paradoxes of Patricia Highsmith

A highly regarded author of complex psychological thrillers, including The Talented Mr Ripley and Strangers on a Train, Patricia Highsmith’s fiction comes freighted with a heady mix of cross-purposes and intimate alienations. Read more »

Rebecca Shaw

TERF War: Transphobia in the LGBTQI community

I started to realise that I was ‘not like other girls’ about the time I hit puberty. From that point on I underwent an extensive and daunting process to emerge from my closeted cocoon into the beautiful lesbian butterfly I am today. An important part of that development was realising – mostly via the Internet (or very occasionally through people I met in real life) – that there were people like me all over the world. Read more »

9807778273_afe6ec792d_z

Rebecca Shaw

Breaking the Celluloid Ceiling

We are still at a point where far less than half the movies we see have a clear female protagonist, even though women are half of the population. If women as an ENTITY are not properly represented, their stories not told, what chance then do women of colour have? Read more »

article-2301242-18FA52E4000005DC-314_470x763

Rebecca Shaw

An Inconvenient Truth: Social stigma and menstruation

If you have heard of menstruation, you would know that it is an essential process in a little tiny thing called the EXISTENCE AND CONTINUATION OF HUMAN LIFE, and it is something that most (not all) women experience for about five days every month for a large part of their lives. It is a topic (besides shopping, lol) that women think about frequently. Read more »

flock_roof

Anwen Crawford

Don’t be Sheepish: Why Ewe Should See Shaun the Sheep Movie

Shaun the Sheep Movie is the latest feature-length production from Aardman Animations (the folk who brought us Chicken Run), and it is a delight. Borrow a young relative for cover if you must, but believe me, you are not too cool for a kid’s movie when it’s this much fun. Read more »

9331818982_322b389ff2_z

Annabel Brady-Brown

The blue pill or the red pill? In defence of highbrow film

Cinema is a powerful medium. Going to the movies, be it a Lav Diaz epic or a Michael Bay blockbuster, is an act of submission. You hand over $15 and the whole mash of your brain/senses/heart/dreams for ninety minutes. Read more »

girlwalkshomealoneatnight

Anwen Crawford

Bad Cities

A Most Violent Year has an atmosphere of all-pervading dread, like a film noir, as if the polluted air of New York itself was causing people to act against their better intentions. Even more haunting and more noir is A Girl Walks Home Alone At Night, a memorably audacious debut feature from American-Iranian director Ana Lily Amirpour. Read more »

empire-tv-review-fox

Anwen Crawford

Rise of an Empire

Watching Empire, I wondered why there haven’t been more television shows about record labels, the music industry being the cesspit of venality that it is. Forget TV dramas about police departments and hospital wards – a show about a record label comes with all that conflict, plus outfits, plus songs. Read more »

video-undefined-22D54AFA00000578-784_636x358

Matilda Dixon-Smith

Insufferable assholes and grown up Girls

Yes, our girls are growing, learning, discovering. But all they’re really discovering is how toxic and unheroic they are, and how to use that to their advantage. They’re not going to grow out of their asshole tendencies, because they are actually assholes. Read more »

agent-carter-7683

Danielle Binks

Agent Carter and the future of the female superhero

Agent Carter has been described ‘a Triumph for Women, Marvel and TV,’ and heralded as an important new chapter in comics culture. If this supposedly groundbreaking new show fails, does it spell doom for the future of female-led superhero franchises? Read more »

jakobson0052

Katie Williams

Storytelling vs. interactivity: What makes a highbrow game?

What makes a game ‘highbrow’? We don’t have solid criteria for deciding conclusively which games are masterpieces, and which are just dumb, explosive fun. Read more »

ss_f6a450fbf737eb04c58b973f72e8817bb2b50285.600x338

Katie Williams

Brain Candy: Are game jams diluting the potential of video games?

In a world where YouTube gameplay videos narrated by hollering amateurs hold as much clout – if not more – than professional game critics, I worry that developers may be swayed to choose an easier, unimaginative, and more vacuous path to success. Read more »

cher_horowitz_closet-010_2

Katie Williams

Fashion Forward: How hidden algorithms are dressing up technology

Though we increasingly rely on technology to simplify our lives, we still want to believe that behind the scenes is a happy, human face, rather than an impassive machine that does the dirty work for us. Read more »

16475519129_bb489cf4ce_o

Jane Howard

Creative Space: The secret power of community theatres

Theatre is inextricably tied to space, and the best theatre spaces become more than buildings. They become communities of like-minded people: of artists and of audience members, intermingling their ideas and their lives. Read more »

Tessa Waters stars in Womanz

Jane Howard

Fringe Feminism: Women, comedy and performance art

Taken together, the work of these female comics and performers loudly proclaims that their ideas about gender, femininity, performance and comedy are not diametrically opposed. It is because of their performance backgrounds that their shows are hilarious, not in spite of them. Read more »

Before Us_3

Jane Howard

Stuart Bowden’s Unfamiliar, Universal Worlds

It’s hard to classify the work of Stuart Bowden. His one-person storytelling theatre works are at once hilarious and melancholy. They exist in a particular space of fringe theatre: intricately crafted stories built for small rooms & small audiences, they lift and rise that audience, gathering us all up in the magic of stories & the closeness they can breed. Read more »