Amusements and Distractions

Amusements and Distractions

by Veronica Sullivan , February 28, 2014Leave a comment

Killings brings you our weekly selection of posts that have amused, enlightened and generally distracted us.

The world’s preeminent Pixar conspiracy theorist has formulated a mind-blowing new theory about Toy Story.

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If Mark Twain says masturbation is acceptable, then who are we to argue?

Tetris can help with addiction, cravings and whatever else ails you.

Sue Austin is a performance and installation artist who takes underwater self portraits. She’s also a wheelchair user.

It is definitely more fun to read about being a broke writer than it is to experience it.

Would you like to climb inside a giant inflatable jumping castle/ropes course hybrid?

Happy Friday!

 




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Kate Harper

‘I think about terrible things happening’: An interview with Daniel Handler

Given the current age of acute media-fuelled panic over childhood trauma and accidentally fucking them up, Daniel Handler’s (aka Lemony Snicket) dastardly depictions of children fighting to survive can be read as tales of wonder. Kate Harper chats to Handler ahead of his upcoming Melbourne appearances. Read more »

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James Tierney

Usefully Uncertain: A review of Maggie Nelson’s The Argonauts in nine fragments

I first read Maggie Nelson in the April of last year, during the early feverish stages of an autumn cold. Her slim 2009 volume Bluets is a bare and consonant appraisal of blue – as a colour, as music, as meaning sexual content and the fuzzy indigo of depression. Read more »

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Nathan Smith

Writing about the New Yorker: A genre unto itself

In the introduction to her 1999 book Gone: The Last Days of The New Yorker, the famed American journalist and essayist Renata Adler opens with: ‘As I write this, The New Yorker is dead.’ Read more »

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Rebecca Shaw

Right Direction: The value of fandom

I have a pop-culture confession to make to you, Internet. It isn’t something I’ve been trying to keep hidden for fear of seeming uncool, because that ship sailed long ago. But it is something I haven’t opened up about until this point. I, Rebecca Shaw, have become a One Direction fan. Read more »

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Rebecca Shaw

Choice Without Stigma: Dismantling the abortion taboo

Abortion is still illegal in the criminal code in Queensland – even in this, the Year of Our Beyoncé 2015. While women are unlikely to face practical obstacles to abortion due to the law, it can still cause isolation and unnecessary fear, and creates a stigma around the act. Read more »

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Rebecca Shaw

Rage Against the Marriage: The inanity of same sex marriage debate in Australia

I am someone who is completely comfortable in my sexuality, and who classifies myself as the genus Lesbionisos. I am 100% certain that I am not abnormal, an abomination, or in any way inferior to heterosexual people. Sometimes I even secretly think non-heterosexuals might be superior. But I haven’t always been this assured. Read more »

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Anwen Crawford

Memorable Chills: Edgerton’s Gift

The Gift is Australian actor Joel Edgerton’s directorial debut — he also wrote, produced, and stars in it — and it bodes well for Edgerton’s directing career. A psychological thriller, The Gift is efficiently and quite memorably chilling, at least for the first half. Read more »

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Joanna Di Mattia

Escaping The Wolfpack: Inside and outside the screen

The Wolfpack introduces us to the six Angulo brothers, who were kept virtual prisoners for 14 years in their Lower East Side apartment. More than a captivity narrative, this is a film about the influence of cameras and screens, and the transfixing, liberating power of cinema. Read more »

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Clem Bastow

Telling Stories: Women screenwriters and the obligation to represent

There is something in the recent call to arms for female writers and directors to ‘tell your story’ that leaves me feeling bereft, not vindicated. The idea that As A Woman I must write about women first and foremost is a special kind of hell. Read more »

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Jane Hone

How the Golden Age of Television Brought Us Back Together

I recently heard someone say that it used to be that at 6pm, everyone would sit down to watch The Cosby Show. It seemed at once a quaint and almost sci-fi notion ­– millions of people watching the same show at the same time. How things have changed. Read more »

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Stephanie Van Schilt

A Glitch in the System: The ABC’s undead gamble

In one gasping breath, Glitch shows that the ABC is stumbling towards something beloved by TV audiences the world over, but that regularly eludes the Australian and film and TV industry: genre. And not just any genre, but the ‘return-from-the-dead’ zombie-style genre. Read more »

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Anwen Crawford

By Screen Light

Television and depression have a history together. We’re all familiar with the trope: the person who stays in on a Saturday night watching TV in their pyjamas is the sad schlub with no life. Read more »

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Katie Williams

The More Things Change: Choice and consequence in Life is Strange

You can either be a benevolent hero or a monster, but few games deal with the multitudes contained by actual people. And what does it matter, anyway? There’s no such thing as regret when it comes to in-game decision-making – not when you can so easily restart the game to see what outcome will result from choosing Option B instead. Read more »

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Katie Williams

Silicon Valley Fashion Week?: Fashion, technology, and wearability

Last week saw the inaugural Silicon Valley Fashion Week? (yes, with a question mark) unfold in San Francisco. The show promised ‘drones, robots, and mad inventions’, and tickets sold out swiftly; attendees were clearly eager to see more inventive clothing in this heartland of nerds. Read more »

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Katie Williams

Digging For Meaning in Utopia: Storytelling in Animal Crossing

Animal Crossing is a series of games in which – as my partner once remarked incredulously – ‘nothing ever happens.’ In its latest incarnation, Animal Crossing: New Leaf, you become the unwitting mayor of a town populated by anthropomorphic, bipedal animals. Read more »

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Jane Howard

A Mess of a Brain: A Girl Is a Half-Formed Thing at Edinburgh Fringe Festival

In some ways it seems like an impossible task to take Eimear McBride’s A Girl Is a Half-Formed Thing and translate it to any other art form. How to find a life for a book that is so internal, so unrelenting, in anything other than the pure words of its narrator as they appear on the page? Read more »

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Jane Howard

Local Courage, Global Reach: The National Play Festival

There is something to be gained from observing any collection of works in close proximity, and in these readings you could see the way Australian playwrights are reaching out into the world. Together, these works show the minds of our playwrights in robust health, with works that are itching to find their audience. Read more »

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Jane Howard

The Beautiful and the Dated: Australian Ballet’s Giselle

The weight of history sits heavily on the Australian Ballet’s Giselle. One of the most enduringly popular ballets from the romantic period, there is much to delight in its presence on stage and its lasting lineage. But 175 years after its debut, in a production that premiered 30 years ago, the sheen of Giselle has been dulled. Read more »