KILLINGS, daily columns and blog —

2014 columns, Books

Going by the book in 2014

by Carody Culver , January 21, 2014Leave a comment

bookshop

As January draws to a close, I suppose it’s finally time to accept that the holiday period is well and truly over (it takes some of us a little longer than others to acknowledge the rude and sudden resumption of Real Life). For booksellers, the reality generally hits home a lot earlier; once the mad rush of Christmas is over, bookshop shelves suddenly go from packed to pillaged and the avalanche of new releases shrinks to a slow trickle.

January is generally a deathly quiet period in the book trade, but perhaps this is a cunningly disguised blessing; not only is it an excellent time to catch up on your summer reading, but a time to take stock and look forward to what publishers have to offer in the coming months. After a surprisingly robust Christmas – according to Books+Publishing magazine, most publishers reported an increase in sales in the lead-up to the 2013 festive season for the first time in several years – it feels as though we’re at the start of a promising new chapter in 2014.

The tail end of last year saw some weighty fiction releases hit the shelves, often literally: two of Christmas’s biggest sellers were Donna Tartt’s highly anticipated tome The Goldfinch, her first novel for 11 years, and Eleanor Catton’s 800-page epic The Luminaries, the longest-ever Man Booker Prize winner. For those less inclined to need two hands and a degree of brute strength to handle their reading choice, 2014 promises some huge new titles in a less physical sense: we can expect novels from literary heavyweights that include David Mitchell, Haruki Murakami and Hanif Kureishi. Mitchell’s The Bone Clocks (Sceptre, September) will be a complex, sweeping epic spanning 60 years in the life of a woman named Holly Sykes; Murakami’s Colorless Tsukuru Tazaki and his Years of Pilgrimage (the English translation is due from Random House in October) is about a man trying to rediscover the meaning of life, and is apparently reminiscent of 1987’s Norwegian Wood; and Kureishi’s The Last Word (A&U, February) is the tale of an English writer penning the biography of an Indian-born literary giant.

Closer to home, we’ll also see new work from standout Australian authors. Sonya Hartnett’s urban gothic The Golden Boys is due from Penguin in June, and two Miles Franklin shortlistees will have their second novels published this year: Favel Parrett’s When the Night Comes, set in Hobart and Antarctica, is out in September from Hachette, and UQP will release Tony Birch’s short story collection The Promise in May. For those after something a little lighter, a sequel to Graeme Simsion’s blockbuster romcom The Rosie Project is waiting in the wings at Text.

One of last year’s most anticipated and successful debuts was Hannah Kent’s breathtaking Burial Rites, but 2014 has some promising firsts up its sleeve: March alone sees the release of Sebastian Hampson’s The Train to Paris (Text), a love story about the allure of older women, Wet Ink co-founder Dominique Watson’s historical novel The Yellow Papers (Transit Lounge) and Mark Mulholland’s heartbreaking tale of an IRA sniper, A Mad and Wonderful Thing (Scribe).

So if the shelves of your local indie bookshop are looking a little sparse right now – or if, like me, you’re a bookseller whose insane pre-Christmas shifts are now blissfully calm and quiet – use the next few weeks to clear your reading decks and catch up on that pile of summer books, because it’s going to be a page-turning year.

Carody Culver is a Brisbane-based freelance writer, editor and part-time bookseller.

ACO logo




Frances Abbott

David Donaldson

Why #whitehousegate matters

A few days after the release of the budget, in which the Coalition government announced it was spreading the burden by increasing university fees, cutting school funding, and cutting welfare for young people comes a story that confirms what many already suspect to be the nature of opportunity: it’s much easier to come by if you’re born into privilege. Read more »

money

David Donaldson

When does lobbying become corruption?

Whether it’s Clive Palmer buying his way into parliament, the recent, varied ICAC revelations of dodgy fundraising in the NSW Liberal party, or the refusal or inability of successive governments to effectively tackle powerful corporate interests in industries like gambling, mining, media, and junk food, there is a feeling among many Australians that democracy is up for sale. Read more »

cluster munition

David Donaldson

How to make treaties and influence people

In an era when Russia can annex Ukrainian territory, when the Refugee Convention is regularly flouted, and when nobody seems to be able to do anything to stop the carnage in Syria, it can be tempting to ask: what can international law actually achieve? Read more »

My Salinger Year

Carody Culver

Searching for Mr Salinger

Joanna Rakoff’s book is ‘the truth, told as best [she] could’, of her year as an assistant at one of New York’s oldest literary agencies, a job for which many an Arts graduate would sell a kidney. Read more »

editing

Carody Culver

Giving voice to a silent profession

The role editors play in the process of ushering new writing into the world is both vitally important and strangely overlooked. Read more »

354_1

Hannah Kent

Highbrow vs Lowbrow: Hannah Kent defends Highbrow Literature

I understand why many people have a problem with highbrow literature. ‘Intellectual snobbery’ is a common accusation, as though the reason people read and write the stuff is solely to intimidate their dinner guests. ‘Highbrow literature is for wankers,’ I hear them say. Well, ladies and gentlemen, so is Fifty Shades of Grey. Read more »

Mariah Carey

Is she Mariah, the ‘elusive’ chanteuse?

Two weeks ago, Mariah Carey launched her fourteenth studio album, Me. I am Mariah…The Elusive Chanteuse. Yes, that’s the real name, and it’s hilarious not only because the title is so long and happily shameless but because Mariah has long styled herself as one of the least elusive pop stars in the pop music galaxy. Read more »

Douglass books

Julia Tulloh

High fantasy writers who aren’t George RR Martin, and who are also women

‘Tolkien is the greatest burden the modern fantasy author must labour under and eventually escape from if they are to succeed.’ So wrote Australian high fantasy writer, Sara Douglass, a decade and a half ago. Replace Tolkien with George RR Martin, and one might say the same principle applies today. Read more »

Conchita Wurst

Julia Tulloh

Why Eurovision 2014 was a bit disappointing

No one watches Eurovision to discover surprise new talent, or even to hear good singing. I watch it for the kitschy, pop-tastic visual onslaught which rarely fails to assault viewers. Read more »

Gabrielle

Rochelle Siemienowicz

Beyond tics, limps and prosthetics

Think of a disability – mental or physical – and there’s sure to be a film that features it. What about giving big roles to actors who actually live with the disability they’re depicting? Now that would be authentic. Read more »

Under the Skin

Rochelle Siemienowicz

Size Matters

Bigger isn’t always better, but some films will open themselves up to you and pour themselves out in new ways when you see them on a cinema screen. Read more »

Babadook

Rochelle Siemienowicz

Bad Mothers

Movies – especially horror and psychological thrillers – have always loved to explore and exorcise our deepest fears, and when it comes to mothers those fears are many. Read more »

5881861191_90de8b5bc9

Connor Tomas O'Brien

Making trolls eat their words

If we’re not conscious of a troll’s desired response, we risk inadvertently encouraging further trolling by allowing ourselves to be played. Read more »

filter

Reality vs. Instagram

It’s been over three years since Instagram launched, and we’re still not sure whether processing a photograph might be considered akin to doctoring a memory. Read more »

2014 Budget

Connor Tomas O'Brien

Could we crowdfund the dole?

Following the announcement of the 2014 budget, the director of a leading arts organisation posed a question on Facebook: ‘What recourse do the people have to stop these changes? What are next steps? Would be curious to know of any other effective measures to get the message across… apart from complaining on Twitter.’ Read more »

tumblr_inline_n6wz16ohb91r8e10g

Danielle Binks

YA is the New Black

Apparently those of us who do read and enjoy youth literature should be ‘embarrassed’. At least that’s what Ruth Graham said in her recent clickbait article for Slate, ‘Against YA’. Read more »

A Little Pretty Pocket Book

Danielle Binks

Who run the book world? GIRLS!

‘It’s no wonder boys aren’t reading – the children’s book market is run by women.’ So claimed the headline of an April article in The Times.

*Cue Liz Lemon eye-roll* Read more »

The Fault in Our Stars

Danielle Binks

The Fault in the Cult of John Green

I like John Green as much as the next YA-aficionado. I’ve snot-cried through his books, and chuckled over his YouTube videos. But now it’s time to talk about the media-led oversaturation of John Green, and the insulting way he’s been heralded as the saviour of young adult fiction. Read more »

splash

Chad Parkhill

Queering the Power: The Soft Pink Truth’s Why Do the Heathen Rage?

The Soft Pink Truth’s new album ‘Why Do the Heathen Rage’ demonstrates that despite their superficial differences, dance music and black metal have a lot in common. Read more »

The Knife

Chad Parkhill

Never Settled: The Knife’s Shaken-Up Versions

Making live electronic music engaging is a difficult task, and The Knife’s Silent Shout tour shows a band committed to breaking the visual cliché of performers standing still behind banks of electronic equipment. Read more »

Tori Amos

Chad Parkhill

Loving (and hating) Tori Amos

Tori Amos is hardly to blame for the existence of her fans’ expectations, nor for their disappointment when her work does not live up to them – but that doesn’t prevent that disappointment from feeling intensely personal. Read more »

Alg-90210-jpg

Stephanie Van Schilt

Sick-Person TV

The only upside to getting sick was the many afternoons I spent curled up on the couch at home, watching daytime TV. I inhaled the drama of pre-recorded episodes of Beverley Hills 90210 while playing with my Brandon and Dylan sticker collection (interspersed with sporadic vomiting). Read more »

The_Million_Dollar_Drop_logo

Nicholas J Johnson

Highbrow vs Lowbrow: Nicholas J Johnson defends Lowbrow TV

I can’t stop looking at Eddie McGuire’s smug, stupid face. It’s not my fault. It’s just I’ve never been this close to the man before, and it’s not until now that I’ve realised how oddly smooth and tanned his skin is. As if someone has stretched the orange bladder from a football over a slab of marble. Read more »

deadwood-03-1024

Zora Sanders

Highbrow vs Lowbrow: Zora Sanders defends Highbrow TV

I’m going to be honest with you. I feel a little guilty being gifted highbrow TV as a subject to defend. Highbrow TV doesn’t need a defender! It’s a battle that has been won! Highbrow TV is downright fucking awesome and every single person reading this already knows it. Read more »