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From the Editors

A peek inside Kill Your Darlings No. 16

by , January 20, 2014Leave a comment

Issue-16

It is with great pride and excitement that I introduce Issue 16 of Kill Your Darlings, and my first issue as editor. I’m thrilled to be part of a journal that I have long admired as one of the leading literary journals in Australia, thanks to the dedication and innovation of Rebecca Starford and Hannah Kent.

As the magazine turns sweet 16, and we celebrate a new year, a new website and a new location, it seems right that much of the content of this issue focuses on origins and redirections. In Commentary the wonderful Walter Mason revisits his youth as an awkward teenager in Far North Queensland and recalls how Boy George made freakishness fabulous. Jenny Ackland investigates nostalgia and recalls a journey to Lake Eyre and an unrequited love. The effervescent Angie Hart shares with us her most embarrassing encounters with the musicians that have influenced her. Elsewhere in Commetary Rochelle Siemienowicz examines the rise of Indigenous filmmaking in Australia; Tim Robertson travels to North Korea; S.A. Jones uncovers a tale of love at an abandoned castle outside Cairns and Carody Culver explores the perils of working from home.

James Purtill’s lead feature ‘Easy Surface Gold: Protesting and Prospecting in the Godforsaken Lucky Country’ has hit a nerve and the story has been picked up by ABC Radio. Purtill gives us a different view of Kalgoorlie, behind the scenes of the mining industry and how the town really exists. It’s a must read for people looking to discover more about one of our most discussed contemporary issues.

In Fiction we have exciting new work from one of my favourite Australian writers, Romy Ash. We also have an extract from the wonderfully unusual new novel from Diego Marani, God’s Dog. This hard-boiled detective tale follows Salazar, a Haitian orphan and Vatican secret agent.

In Interviews Sam Rutter talks with Junot Díaz about laziness, living in the shadow of New York City and writing for readers not for other writers. In Reviews Sian Campbell examines the cross-cultural appeal of Lena Dunham’s Girls and how the show reflects the concerns of Joyce Carol Oates’s ‘floating generation’; Margot McGovern goes in to bat for Donna Tartt, arguing that her novels are worth the (often decade long) wait.

This is a great issue to leap into the future of Kill Your Darlings. 2014 is a huge year for the magazine, with the CAL mentorship program and our new website. I look forward to working with the new team on bringing you the best in new Australian writing.

Purchase No. 16 via the KYD Shop.

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James Tierney

Unblinkingly Into Harsh Terrain: Alice Robinson’s Anchor Point

The Australian landscape is much traversed in our national imagination, yet rarely entirely comfortably. For the 85 per cent of Australians living within 50 kilometres of the coast, the continent that lies at our backs that is emptier, hotter, and remains haunted by the circumstance of its possession. Read more »

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Sam van Zweden

The Writer at the Centre of the Essay: Charles D’Ambrosio’s Loitering

Loitering is Charles D’Ambrosio’s quietly brave collection of experimental essays. It doesn’t announce itself noisily, but associations slide sideways through the essays in unexpected ways. This collection is lyric in both senses – freely associative and loose, it borrows from the world, trying meaning on for size, producing metaphors and connections wherever it sees fit. Read more »

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Elizabeth Flux

Footnote to a life: How Terry Pratchett kept me from going postal

If imitation truly is the sincerest form of flattery, then teenage me would have been the steamroller to Terry Pratchett’s somewhat plagiarised tarmac. In the ten years since I first picked up The Fifth Elephant, my work has been littered with Pratchettisms to varying degrees. Read more »

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Rebecca Shaw

Out of Alignment: Religion, politics and priorities

Throughout your (hopefully long) life, you will often be forced to prioritise one thing over another thing.
Because we make these decisions based on what we personally think is important or morally right, the things other people choose to prioritise can be confusing or upsetting to us. I find this happens regularly when bearing witness to what some religious people or religious groups choose to place importance on. Read more »

Rebecca Shaw

TERF War: Transphobia in the LGBTQI community

I started to realise that I was ‘not like other girls’ about the time I hit puberty. From that point on I underwent an extensive and daunting process to emerge from my closeted cocoon into the beautiful lesbian butterfly I am today. An important part of that development was realising – mostly via the Internet (or very occasionally through people I met in real life) – that there were people like me all over the world. Read more »

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Rebecca Shaw

Breaking the Celluloid Ceiling

We are still at a point where far less than half the movies we see have a clear female protagonist, even though women are half of the population. If women as an ENTITY are not properly represented, their stories not told, what chance then do women of colour have? Read more »

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Anwen Crawford

Don’t be Sheepish: Why Ewe Should See Shaun the Sheep Movie

Shaun the Sheep Movie is the latest feature-length production from Aardman Animations (the folk who brought us Chicken Run), and it is a delight. Borrow a young relative for cover if you must, but believe me, you are not too cool for a kid’s movie when it’s this much fun. Read more »

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Annabel Brady-Brown

The blue pill or the red pill? In defence of highbrow film

Cinema is a powerful medium. Going to the movies, be it a Lav Diaz epic or a Michael Bay blockbuster, is an act of submission. You hand over $15 and the whole mash of your brain/senses/heart/dreams for ninety minutes. Read more »

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Anwen Crawford

Bad Cities

A Most Violent Year has an atmosphere of all-pervading dread, like a film noir, as if the polluted air of New York itself was causing people to act against their better intentions. Even more haunting and more noir is A Girl Walks Home Alone At Night, a memorably audacious debut feature from American-Iranian director Ana Lily Amirpour. Read more »

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Anwen Crawford

Rise of an Empire

Watching Empire, I wondered why there haven’t been more television shows about record labels, the music industry being the cesspit of venality that it is. Forget TV dramas about police departments and hospital wards – a show about a record label comes with all that conflict, plus outfits, plus songs. Read more »

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Matilda Dixon-Smith

Insufferable assholes and grown up Girls

Yes, our girls are growing, learning, discovering. But all they’re really discovering is how toxic and unheroic they are, and how to use that to their advantage. They’re not going to grow out of their asshole tendencies, because they are actually assholes. Read more »

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Danielle Binks

Agent Carter and the future of the female superhero

Agent Carter has been described ‘a Triumph for Women, Marvel and TV,’ and heralded as an important new chapter in comics culture. If this supposedly groundbreaking new show fails, does it spell doom for the future of female-led superhero franchises? Read more »

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Katie Williams

Pilgrimage to San Francisco: Power and Privilege at the Game Developers Conference

Attendees talk about the annual pilgrimage to the Game Developer’s Conference with the same reverence as a child’s first trip to Disney World. It’s the Magic Kingdom for adult nerds. The weeks leading up to the conference are full of discussion about which parties to attend, and how best to make an impression on people who could be useful in furthering your game development career. Read more »

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Katie Williams

Storytelling vs. interactivity: What makes a highbrow game?

What makes a game ‘highbrow’? We don’t have solid criteria for deciding conclusively which games are masterpieces, and which are just dumb, explosive fun. Read more »

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Katie Williams

Brain Candy: Are game jams diluting the potential of video games?

In a world where YouTube gameplay videos narrated by hollering amateurs hold as much clout – if not more – than professional game critics, I worry that developers may be swayed to choose an easier, unimaginative, and more vacuous path to success. Read more »

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Jane Howard

Creative Space: The secret power of community theatres

Theatre is inextricably tied to space, and the best theatre spaces become more than buildings. They become communities of like-minded people: of artists and of audience members, intermingling their ideas and their lives. Read more »

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Jane Howard

Fringe Feminism: Women, comedy and performance art

Taken together, the work of these female comics and performers loudly proclaims that their ideas about gender, femininity, performance and comedy are not diametrically opposed. It is because of their performance backgrounds that their shows are hilarious, not in spite of them. Read more »

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Jane Howard

Stuart Bowden’s Unfamiliar, Universal Worlds

It’s hard to classify the work of Stuart Bowden. His one-person storytelling theatre works are at once hilarious and melancholy. They exist in a particular space of fringe theatre: intricately crafted stories built for small rooms & small audiences, they lift and rise that audience, gathering us all up in the magic of stories & the closeness they can breed. Read more »