Though I am delighted to see Young Jean Lee gain traction in Australia, a work by playwright who is a woman of colour should not be such a rare occurrence; nor should this only come in the form of a play that blends effortlessly into the fabric of the work that is programmed around it. Read more
‘Do you ever get the feeling someone is putting words in your mouth?’ A performer asks an audience member in the front row. ‘Say yes.’
‘Yes,’ comes the reply.
This theme ran through multiple shows at Edinburgh Fringe this year, where occasionally audience members, but more often performers, were asked to perform scripts sight unseen. Read more
I just saw a one-on-one performance piece that ended in my bursting into tears and the artist sitting with me and holding my hands in hers for maybe ten, maybe fifteen, maybe twenty minutes. We had a shared piece of history, and her work was delicate and took me by surprise, and I have a cold, and I am homesick, and I don’t know why I’m in Edinburgh, and I’ve cried a lot, and now I’m in a gallery because I couldn’t face another show. Read more