Advertisement

KILLINGS, daily columns and blog —

Comment

On dressing and being dressed

by Rosie Findlay , February 20, 20121 Comment

I would not be a true style blogger if I did not commence this post without some description of what I wore today. If I wasn’t awkward as all get out in front of a camera, I might even provide a photograph, as is customary in the outfit posts of style bloggers – including two of my favourites, Susie of Style Bubble and Rosalind of Clothes, Cameras and Coffee.

As it is, let me describe to you the perfectly dull sheen of the leather of my new boots, with their slightly almond toe and their wide elastic panels cupping the bobbles of my ankles. Let me render for your imagination the clotted-cream colour of my linen shirt, currently working its tails out of the very low waistband of these second-hand black jeans, so old that they were Tsubis before Tsubis became Ksubis, worn to the colour of ash by a friend who passed them along in a box of other clothes. The shirt cost me five dollars at the Camberwell Market in Melbourne, bought in a hurry before the clouds became a deluge. The jeans cost me the effort of swapping some of my own unwanted clothes. The boots … perhaps you can allow me to save face by withholding the cost of these. Let’s just say they were half-price and I will wear them forever. And probably even into the grave, and beyond, into paradise.

Why am I describing my clothes to you? Because when I wear them, I feel. They have a way of speaking to me, their communion on my skin translating into a quietude and sense of ease. The jeans grip my legs and transform my walk into a stride. The boots have a pleasant weight to them, which when combined with the aforementioned stride, lends my motion momentum, purpose. There is nothing extraneous in this ensemble, and by virtue, I feel myself absorb this streamlined quality. This is what I wear when I feel single-minded and calm.

Where does this corporeal sentience come from? Can we attribute it to fashion? Often, fashion seems to polarise people: there are those who are devoted to it (often to the point of caricature) and those who loathe it. Fashion is an exaggeration of itself, the narcissistic venture of people who prefer feathers to substance – or it is life, death, art. Yet despite being produced by an industry that has found a way to categorise virtually everything that falls under its purview – consider as proof the pre-fall and resort (pre-summer) collections, themselves separate from the Fall/Winter, Spring/Summer and Haute Couture collections; or the trouser, which is distinct from the pant, and not to be confused with the pyjama, track, harem, parachute, khaki or capri pant – fashion itself defies definition. It is both a multi-billion dollar commercial industry and a functional system of expression that is intimately enfolded into the everyday practices of its customers – for what could be more quotidian than getting dressed? Fashion transforms this, the getting dressed, to an art and makes being clothed an act of self-expression.

When we dress, we dress for pleasure, work, warmth, need or, as in my case today, because we feel a certain need to mirror our sensibility, and we reach for the garments that best encourage these aspects of our selves. Even those who reject fashion take part in its system. Fashion is a mode of visual communication that ‘speaks the self’ both externally, as it presents you as clothed and appropriate, and internally, as it resonates with you in the feel of fabric on your limbs, the pinching of shoes on toes, the rough itch of wool on skin, the desperate sweating underneath denim on an unexpectedly warm day. At an everyday level, clothing speaks to us, and helps us make sense of one another and of ourselves. In other words, what is superficial is not only superficial.

So here I am to state that it is not trivial to take an interest in clothing – to do so is to accept that there is pleasure to be found in dressing, in wearing, and in finding another way to express something of who you feel you are. I reject the notion that to do so is to imply that you are a superficial person or, in the words of English professor Emily Toth, that ‘if you look like you spend too much time on your clothes, there are people who will assume that you haven’t put enough energy into your mind’. I pitch my tent instead with Virginia Postrel, whose book The Substance of Style makes a compelling argument for the importance of aesthetics, writing that they are of fundamental value to human beings and a source of deep pleasure – not the most important thing, but still important. I find this stance incredibly liberating: it acknowledges that there is room to enjoy dressing and being dressed, while not elevating that practice to utmost importance. It means I can enjoy the interplay of these jeans, this shirt and these heavenly boots with my self, and appreciate how this process colours my day as I go forth into other considerations.

Rosie Findlay is a PhD student researching style blogs at the University of Sydney. She blogs at www.fashademic.blogspot.com.




One thought on “On dressing and being dressed

Leave a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

9864007066_4a196b364d_z

Tim Robertson

Fear, loathing, and the erosion of civil liberties

The hysteria currently being concocted by Australia’s political leaders is a smokescreen for the more serious threat facing everyone – an attack of the very freedoms and values our nation has been built on. Read more »

308982705_be9f94455b_b

Marika Sosnowski

Back inside: Life on the Syrian-Turkish border

In Turkey, less than 50 kilometres from the border, Syrians have chosen their favourite cafes, have opened Aleppine sweet shops and set up stores in the old city. Read more »

Frances Abbott

David Donaldson

Why #whitehousegate matters

A few days after the release of the budget, in which the Coalition government announced it was spreading the burden by increasing university fees, cutting school funding, and cutting welfare for young people comes a story that confirms what many already suspect to be the nature of opportunity: it’s much easier to come by if you’re born into privilege. Read more »

tumblr_n9hftkebsr1tfwx0xo1_1280

S.A. Jones

‘Fool the Axis, Use Prophylaxis’: World War II’s anti-venereal disease posters

Protect Yourself: Venereal Disease Posters of World War II gives a fascinating insight into one of the ways the United States ‘managed’ servicemen’s sexuality: through poster art. Read more »

lorelei

Lou Heinrich

Oversharing is caring: the rise of twenty-something memoir

The middle-aged love to decry the self-obsession of Generation Y. But is it so wrong for young people to process their lived experience by writing a memoir? Read more »

6277209256_934f20da10_z

Veronica Sullivan

What cannot be counted: reflections on the 2013 Stella Count

Today, the Stella Prize released the results of the 2013 Stella Count, which calculates the gender breakdown of authors reviewed in Australian newspapers. This year, as in previous years, the Count shows that Australian literary pages review female writers significantly less than they do male writers. But there are other insidious patterns … Read more »

Clara and Doctor

Julia Tulloh

Doctor Who’s gender dynamics: a mid-season evaluation

In some ways, Peter Capaldi was a problematic choice for the newest regeneration of Doctor Who. How on earth were the producers going to pull off a successful friendship between a middle-aged man and a twenty-something woman, without it seeming at best patriarchal and at worst creepy? Read more »

blue-ombr-speckle-liner

Julia Tulloh

From the outside in: the beauty vlogger phenomenon

A current cohort of beauty bloggers are helping to break down distinctions between internal and external expressions of self in ways that allow them to generate new ideas of beauty on their own terms, rather than according to society’s expectations of what women (or men) should look like. Read more »

The Tunnel TV review

Julia Tulloh

The Tunnel vs The Bridge: The ethics of TV remakes

A body is found in the Eurotunnel, neatly laid across the border between France and England. When police attempt to move the body, it splits in two with the top half in France and lower half in England. Read more »

theskeletontwins1

Rochelle Siemienowicz

Suicide, Laughter and The Skeleton Twins

Even the best parents can inflict some form of lifelong damage upon their children. But when parents are outright mad, bad or dangerous – or in the case of the funny, bittersweet comic drama The Skeleton Twins, so depressed they commit suicide – the damage can feel impossible to bear, even decades down the track. Read more »

stepup5poster

Anthony Morris

Let’s Dance: unapologetic repetition and Step Up: All In

A franchise of movies based entirely around good-looking people performing unlikely and oddly aggressive dance moves wouldn’t seem to require heavy continuity – or any continuity at all – but Step Up: All In is surprisingly effective. Read more »

lead_large

Rochelle Siemienowicz

On Boyhood, parenting and the passing of time

Since its premiere in January at the Sundance Film Festival, film critics have been falling over themselves to lavish love upon Richard Linklater’s Boyhood. Read more »

6289302147_38e8035680_z

Connor Tomas O'Brien

Jacqui Lambie and the limits of Remix Culture

The combination of Google Image Search, Photoshop, and Facebook is a powerful one, providing web users with the ability to seek out swaths of copyrighted visual material, rip and manipulate these pictures so the original source is obscured, then share the freshly “remixed” images to a broad audience with no real fear of legal action. Read more »

Streisand_Estate

Connor Tomas O'Brien

Don’t Look: The emergence of Streisand criticism

In the wake of the recent nude celebrity photo leak, I noticed something strange about the ways different publications skewed their coverage. Tabloid-style publications tended to be honest about their motives. The behaviour of left-leaning broadsheet-style outlets, however, was more complex. Read more »

owl1

Connor Tomas O'Brien

Speaking with pixels

On the Facebook Newsfeed, it’s now possible to click a tiny smiley face inside almost any textbox to bring up a series of thumbnail images: an alligator bawling into a tissue, say, or a whistling fox dropping a turd, or a green owl vomiting rainbows. Read more »

tumblr_inline_n9e5g8afMe1rvc0fr

Danielle Binks

Beyond ableism and ignorance: disability and fiction

Youth literature has the ability to shape our attitudes to subcultures, and been proven to create empathy by reducing prejudice. So, if the genre has such potential for inclusivity, why are so many of these characters white, straight, able-bodied and middle-class? Read more »

Inky Awards

Danielle Binks

By teens, for teens: the Inky Awards

The Centre for Youth Literature’s Inky Awards are amongst the most important book awards in Australian literature. Read more »

9780987507013

Danielle Binks

Review: The Boy’s Own Manual to Being a Proper Jew

This is a coming out story but one that desperately needed to be told on two counts – one because it’s an Australian YA coming-out story, and two because it’s a coming-out story about a young man questioning his homosexuality alongside his Jewish faith. Read more »

free-u2-album-on-itunes

Chad Parkhill

The Perpetual Undeath of Rock

 ‘Hey hey, my my, rock and roll can never die.’ Depending on your own tastes and cognitive biases, Neil Young’s famous lyric will now seem more prophetic than ever before – or profoundly misguided. Last week saw the release of U2’s Songs of Innocence in what Apple … Read more »

arthur-russel-beckman

Chad Parkhill

Calling out of context: The perennial appeal of Arthur Russell

When Arthur Russell died in 1992 at the age of forty, he did so in relative obscurity, having released four commercially unsuccessful albums and granted a single print interview: not exactly a promising oeuvre on which to build a legacy. Read more »

Jabberwocky1

Chad Parkhill

The carnival is over

Jabberwocky, scheduled to take place last weekend, was the kind of festival that wasn’t supposed to fail. Read more »

please-like-me

Stephanie Van Schilt

Mental illness and Josh Thomas’ Please Like Me

While the jury is still out on the success of Please Like Me’s efforts to address ideas around mental health, the discussions both its seasons have provoked and continue to encourage are incredibly important. That, I definitely like. Read more »

DP

Stephanie Van Schilt

Idle hands and Devil’s Playground: Going to the movies to watch TV

I recently went to the movies to watch TV. I bid a reluctant farewell to the comforts of my couch and heater and ventured into the frosty evening in search of Devil’s Playground. Read more »

2014-07-03-theleftovers

Stephanie Van Schilt

TV pilots: The good, the bad and The Leftovers

With the wealth of shows on offer, committing to a new TV series can feel like a big deal. It’s often during a pilot episode that audiences determine whether the program is appealing enough to stick with for the long haul. Read more »